https://fyefyefyer.com fyerool darma Tue, 14 Apr 2026 14:00:05 +0000 https://fyefyefyer.com en https://fyefyefyer.com/kadaluwar-ak-ak-A-Xenographer-s-Index Tue, 14 Apr 2026 14:00:05 +0000 fyerool darma https://fyefyefyer.com/kadaluwar-ak-ak-A-Xenographer-s-Index kædæluwær§æk§§æk (A Xenographer's Index)&nbsp; with Brandon Tay, Anonymous Network Unit, Runtuhh and Aqil Amal&nbsp; kædæluwær§æk§§æk (A Xenographer's Index) 2025 - 2026 CGI, CAD alongside digital composites, with generated texts onto polyvinyl sticker on concrete.Fontype: RTH Madjalah - Runtuhh Models, sculpted with Brandon Tay. Texts by Anonymous Network Unit, with research and architectural advice from Aqil Akmal Is putting something in a museum the same as keeping it alive? What parallelities are there to Nusantara - Noirantaras, n**antaras, nonantaras and et ceteras? kædæluwær§æk§§æk (A Xenographer's Index) are 25 digitally woven forms, a digital painting and a legend within the fire-exit of Malay Heritage Center, Singapore. Conceived with and alongside Brandon Tay, Anonymous Network Unit, (Fontype by) Runtuhh with architectural support and conversations with Aqil Akmal, the work proposes new forms that outgrew from the traditional, non-traditional and speculative Malay (non-malay, to its proximities and vernacular) architectural visual languages.&nbsp; https://fyefyefyer.com/chimera Tue, 03 Dec 2024 08:50:21 +0000 fyerool darma https://fyefyefyer.com/chimera <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c442ea8d1411b6f2f43e5df6748b95aa69e2b57bf8b1c1e9954e4ba813e21872/2.jpg" data-mid="242166531" border="0" src="https://freight.cargo.site/w/1000/i/c442ea8d1411b6f2f43e5df6748b95aa69e2b57bf8b1c1e9954e4ba813e21872/2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/72d22b7e6d41274d9a7f24b07bb82dd2de517d1b13acf806f007ac30912b0472/fyerool-darma-chimera.jpg" data-mid="242231572" border="0" src="https://freight.cargo.site/w/1000/i/72d22b7e6d41274d9a7f24b07bb82dd2de517d1b13acf806f007ac30912b0472/fyerool-darma-chimera.jpg" /> <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e8d88a5004c93369ab16df520cb0980adc77b473a02f29e36f3522d273fc0fe9/3.jpg" data-mid="242166532" border="0" src="https://freight.cargo.site/w/1000/i/e8d88a5004c93369ab16df520cb0980adc77b473a02f29e36f3522d273fc0fe9/3.jpg" /> <img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/835ae656b5005559f359b682d6a63738ca58079ba35bc62dde23d59098941c09/1.jpg" data-mid="242166530" border="0" src="https://freight.cargo.site/w/1000/i/835ae656b5005559f359b682d6a63738ca58079ba35bc62dde23d59098941c09/1.jpg" /> SPECIMEN LOG κا⚘-008 § [chimera] RECOVERED DATA: Zone: 03°45'N 108°12'E (Natuna Sea / Disputed Waters) Classification: Techno-organic remnant Material: Digital composites; computer-generated imagery; laser-engraved carbon-fibre sheet; UV-cured ink and etching on acrylic; silicon wafer (semiconductor substrate); resin; stainless steel; polyethylene terephthalate glycol; NFC tag; epoxy Catalogue: κا⚘-008 (krØmæ§piritⱫ - obj #8) Possible year crystallized: 2025 Dimension: Hybrid, 53 x 48 x 5 cm Provenance: cinotiUHD (fyær studios), ‘Training Centre for the Soul‘, Square Street Gallery (HK) Fabricated with Factory 1405. Installation photograph by Felix SC WongArtwork photograph by Jaya Khidir. § [chimera] integrates a crystalline silicon wafer—repurposed as a speculative relic—into a 3D-printed containment structure. Its surface patterns, reminiscent of lattice structures in particle detectors, suggest traces of latent computational or energetic activity, inviting parallels with subatomic interactions or experimental data systems. Surrounding composite materials evoke exoskeletal fragments of unknown organisms or technological devices, highlighting Fyerool’s ongoing introspection into hybrid bodies and unstable taxonomies. The embedded “specimen log” situates the object within a parafictional archive, blending scientific metadata, recovered coordinates, and system readings. The work mirrors the translation of experimental and particle-collision data into perceptible, artistic forms, framing technological substrates as active participants in the work. By pairing technical materials—silicon, resin, carbon fiber, and laser-engraved surfaces—with speculative scientific metadata, § [chimera] situates mythic forms, post-digital archaeology, and physical matter within a framework akin to laboratory observation and data visualization. The resulting artefact oscillates between documentation and invention, between a hybrid object and a para-archival artefact, suggesting how invisible forces and complex systems can be apprehended through hybrid material and sensory exploration. https://fyefyefyer.com/n-ib-om Thu, 01 Jan 2026 19:27:40 +0000 fyerool darma https://fyefyefyer.com/n-ib-om Within ⱥn§ibløm∞,extracted datas,collected materials hassynthetically alchemisedinto unknown matter. Sea-level recordings of a plane transmuted into sonar. Their vibrations scattering through particle-fields as ifseeking a language of their own. If these signals are not merely numbers but living fibers—if they can bloom—what other planetary consciousness might unfoldfrom them? Can we ever understand it? ⱥn§ibløm∞ with rempit godde$$ and shif&nbsp;2026 video mapping onto facade of National Gallery Singapore; computer and AI generated images alongside found footages, archives, recorded and composed sounds sound by rempit godde$$ datamosh alchemised by shif&nbsp; CGI and motion support by cinotiUHD Commissioned by National Gallery Singapore for Night to Light Singapore 2026 ⱥn§ibløm∞ is a four-minute projection performance that drapes a colonial facad in glitch, pattern, and neon, dragging past, present, and digital excess into a single, luminous moment.&nbsp; The work interrogates the visual and sonic paradox of digital resistance: every act of aesthetic disruption relies on extractive infrastructures—servers, projectors, energy systems—built through historical and environmental exploitation.The performance projects the unstable and entanglements between the material conditions of contemporary civilization. Beauty, critique, and complicity coexist in this fleeting temporal collapse, inviting reflection on the fragility of systems and the ethics of intervention. https://fyefyefyer.com/krOma-pirit Tue, 22 Apr 2025 03:13:17 +0000 fyerool darma https://fyefyefyer.com/krOma-pirit <img width="4000" height="2670" width_o="4000" height_o="2670" data-src="https://freight.cargo.site/t/original/i/136329076007aebba8015343261d6b716346c70d7965fe9aaadc3e1600047519/golden-aperture-with-anu.png" data-mid="230482098" border="0" src="https://freight.cargo.site/w/1000/i/136329076007aebba8015343261d6b716346c70d7965fe9aaadc3e1600047519/golden-aperture-with-anu.png" /> <img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/90630383eddfcd1355783b3a4055d26459599c0a76a483f9fe31192bc799631a/fyerool-darma-the-pantunist-is-a-programmer-of-multitudes-stacks.png" data-mid="230482122" border="0" src="https://freight.cargo.site/w/1000/i/90630383eddfcd1355783b3a4055d26459599c0a76a483f9fe31192bc799631a/fyerool-darma-the-pantunist-is-a-programmer-of-multitudes-stacks.png" /> <img width="1396" height="930" width_o="1396" height_o="930" data-src="https://freight.cargo.site/t/original/i/c9c5d01847c5d8b84505aedd96cfd132f7ac735f72a91928d37dd7702c3c9810/Screenshot-2025-12-27-040901.png" data-mid="242191331" border="0" src="https://freight.cargo.site/w/1000/i/c9c5d01847c5d8b84505aedd96cfd132f7ac735f72a91928d37dd7702c3c9810/Screenshot-2025-12-27-040901.png" /> krØmæ§piritⱫ1. Golden Aperture, The Render&nbsp; 2.&nbsp; The Pantunist is A Programmer of Multitudes, 2024, Acrylic and UV ink on canvas over wood stretcher of digital composites with generated image and digitally painted with cinotiUHD, varnish,&nbsp;118 x 84 cm&nbsp; 3. Stacks (with Anu)&nbsp; 4. The Weavers Wove an Infinite, 2024Acrylic and UV ink on canvas over wood stretcher of digital composites assembled by Fyerool Darma with image presumably captured by Erik Molein Flower/Mohamad Hadji Abdurahim and digitally painted with cinotiUHD, varnish118 x 84 cm <img width="2994" height="3184" width_o="2994" height_o="3184" data-src="https://freight.cargo.site/t/original/i/24632456eb150790683b89cfabd10ff980ec675db67d3a1c51d763fba9e5d624/fyerool-darma-.png" data-mid="242191388" border="0" src="https://freight.cargo.site/w/1000/i/24632456eb150790683b89cfabd10ff980ec675db67d3a1c51d763fba9e5d624/fyerool-darma-.png" /> §§§§, 2024Digital composites, acrylic, polyvinyl chloride on UV printed canvas, engraved carbon fibre, marine grade stainless steel, wood, 21 × 19 × 3.5 inches (Unique) <img width="2994" height="3184" width_o="2994" height_o="3184" data-src="https://freight.cargo.site/t/original/i/f209c06f9fa588a6ca953c01e9a409c3c1fce4e7e4fa37d26d56f4116881d91a/fyerool-darma-.jpg" data-mid="242191389" border="0" src="https://freight.cargo.site/w/1000/i/f209c06f9fa588a6ca953c01e9a409c3c1fce4e7e4fa37d26d56f4116881d91a/fyerool-darma-.jpg" /> §, 2024Digital composites, acrylic, polyvinyl chloride on UV printed canvas, engraved carbon fibre, marine grade stainless steel, wood, 22 × 19 × 3.5 inches (Unique) Fabrication support by Factory 1405 Photography by jonathan tan What occurs when organic decay intertwines with technological advancements, and how does the process reshape our perceptions of lore and matter? In what ways might these transformations manifest as new forms of embellishment? krØmæ§piritⱫ is a presentation of new artworks by Fyerool Darma at Yeo Workshop. The presentation combines found industrial materials with stock photos—pre-existing, commercially available images—and generative images, which are created through algorithms or AI processes, seamlessly integrated with sonar vibrations. Creating vivid and geometric forms that threads into tropes of expiration, decay, and emergent materials. The works drift between technorganic landscapes, warping a sense of mythdrift—a transformation where traditional myths are reimagined as parafictions, blurring the line between lore, organic forms, handcrafted, and manufactured aesthetics. These narratives, like data in flux, are constantly rewoven with emergent technologies, creating new, ambiguous forms. Centered on a time-lapse of a plant undergoing cycles of deterioration and revitalization, permutations of sonar vibrations between a Nightjar—a bird native to Southeast Asia—and a sentient pantunist (or ancient programmer) are translated into objects oscillating between painting, sculpture, talismanic relief, printed circuit board, and map—each acting as a portal or gate, appearing to safeguard, sanctify, repel, frame, or decorate an interior. Assembling an interplay between sound, matter, and movement, this vibration suggests not a dialogue, but a generative process where sound acts as the unseen and a medium of transformation. krØmæ§piritⱫ invites reflection on the transient nature of creation shaped by both organic and technology. It offers a meditation on cycles of creation and collapse, where views on technology, history, matter, and lore coexist in constant discordance and transformation, while continuously mirroring one another.&nbsp;When natural and digital boundaries blur, do digitised myths retain their meaning, or do they generate new realities? What knots or trimmings do the industrial materials that reshape our relationship to nature and history divulge? Do these works protect, demystify or contend with the spaces they are staged in? Eventually, what are the shifting perceptions of matter, lore, history, and art?<img width="973" height="923" width_o="973" height_o="923" data-src="https://freight.cargo.site/t/original/i/37a8ff7b363265ad3b7819217db6a50381a25a906cda2d1f42f23279d48cd4b0/fyerool-darma-A-pantun-by-Erik-Molein-FlowerMuhammad-Hadji-Abdurahman-Undated-with-Anu.png" data-mid="242191406" border="0" src="https://freight.cargo.site/w/973/i/37a8ff7b363265ad3b7819217db6a50381a25a906cda2d1f42f23279d48cd4b0/fyerool-darma-A-pantun-by-Erik-Molein-FlowerMuhammad-Hadji-Abdurahman-Undated-with-Anu.png" /> A pantun by Erik Molein Flower/Muhammad Hadji Abdurahman (Undated) with Anu, 2025 Vinyl on emulsion on concrete, 50 x 50 cm <img width="1600" height="1068" width_o="1600" height_o="1068" data-src="https://freight.cargo.site/t/original/i/26c5c91368bf286b98f4922809ae84bbccc80cc9b9c897d119620aa8c017cd02/fyerool-darma-gateway-404-2025.png" data-mid="242191285" border="0" src="https://freight.cargo.site/w/1000/i/26c5c91368bf286b98f4922809ae84bbccc80cc9b9c897d119620aa8c017cd02/fyerool-darma-gateway-404-2025.png" /> Gateway 404 Laminated photovoltaic sheet, wood, polymer synthetic paint, resin, 57 x 116 cm, 2024 https://fyefyefyer.com/gemer-ik Sat, 29 Mar 2025 17:08:48 +0000 fyerool darma https://fyefyefyer.com/gemer-ik <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dba83371e981de398a65e71d259466316ea7ed271151b5f172d6c624a9636c9d/fyerool-darma-14Bienal-Mercorsur_Estalo_3.jpg" data-mid="242167554" border="0" src="https://freight.cargo.site/w/1000/i/dba83371e981de398a65e71d259466316ea7ed271151b5f172d6c624a9636c9d/fyerool-darma-14Bienal-Mercorsur_Estalo_3.jpg" /> <img width="4951" height="3301" width_o="4951" height_o="3301" data-src="https://freight.cargo.site/t/original/i/e70e8950edfeaf36bc0349b3e569e8eb5281820166310a07d71c3d0ffc9e4c8e/fyerool-darma-bienal-mercorsul-estalo-1.jpg" data-mid="242167567" border="0" src="https://freight.cargo.site/w/1000/i/e70e8950edfeaf36bc0349b3e569e8eb5281820166310a07d71c3d0ffc9e4c8e/fyerool-darma-bienal-mercorsul-estalo-1.jpg" /> <img width="5125" height="3417" width_o="5125" height_o="3417" data-src="https://freight.cargo.site/t/original/i/b4128e723130a6c35ca4c3915a373c43152a43e61ac2b812a7bdc9483457ba8c/fyerool-darma-bienal-mercorsul-estalo-5.jpg" data-mid="242167571" border="0" src="https://freight.cargo.site/w/1000/i/b4128e723130a6c35ca4c3915a373c43152a43e61ac2b812a7bdc9483457ba8c/fyerool-darma-bienal-mercorsul-estalo-5.jpg" /> <img width="5337" height="3558" width_o="5337" height_o="3558" data-src="https://freight.cargo.site/t/original/i/cf58970cc0b65272501afcc8e36e1344884568e7f473947322bc4e47b65a59ca/fyerool-darma-bienal-mercorsul-estalo-4.jpg" data-mid="242167570" border="0" src="https://freight.cargo.site/w/1000/i/cf58970cc0b65272501afcc8e36e1344884568e7f473947322bc4e47b65a59ca/fyerool-darma-bienal-mercorsul-estalo-4.jpg" /> <img width="4870" height="3247" width_o="4870" height_o="3247" data-src="https://freight.cargo.site/t/original/i/8d9b86992742b893d4012a01052fedb54d6a6240a8a6e3ca72d9e063017b461e/fyerool-darma-bienal-mercorsul-estalo-3.jpg" data-mid="242167569" border="0" src="https://freight.cargo.site/w/1000/i/8d9b86992742b893d4012a01052fedb54d6a6240a8a6e3ca72d9e063017b461e/fyerool-darma-bienal-mercorsul-estalo-3.jpg" /> <img width="5373" height="3582" width_o="5373" height_o="3582" data-src="https://freight.cargo.site/t/original/i/539d02b9498c806df51a7a4372663b633737b5132d18a9a7544702564be0306e/fyerool-darma-bienal-mercorsul-estalo-2.jpg" data-mid="242167568" border="0" src="https://freight.cargo.site/w/1000/i/539d02b9498c806df51a7a4372663b633737b5132d18a9a7544702564be0306e/fyerool-darma-bienal-mercorsul-estalo-2.jpg" /> gemer§ik Sound wave in polyvinyl chloride by cinoti UHD, double-sided thermoreflective aluminum foam sheet with found monocrystalline nanosatellite, recovered carbon fiber, recovered electronics composites, aluminum sheet, resin, and acrylic; recordings of water folly and wing beats with nanosatellite transmission; read by Bruna Dalla Méa, datas arranged and composed by POFMAMAX. Artwork support design by Amirul Nazree Fabrication support with Factory&nbsp; 1405 The instllation draws from science fiction, beginning with the supposed fall of a decommissioned nanosatellite, Rizqi-2, into Earth’s atmosphere. This event triggers an instantaneous rupture of silence in a language called gemer§ik, composed of sonic vibrations created by mechanical, epistemological, cultural, and systemic frictions. Through the convergence of different media, the work invites the audience into a space where past and future generate new possibilities of existence, meaning, and a rejection of fixed categories. Comissioned for the 14th Mercosul Biennial, presented at Museu de Arte do Rio Grande do Sul - MARGS in Porto Alegra, Brasil. The installation was presented alongside sculptures by Nereyda Lopez. Curated by Raphael Fonseca. Photograph by&nbsp; Thiele Elissa. https://fyefyefyer.com/Junklord-Hikayat-ACT-III Tue, 31 Dec 2024 18:43:00 +0000 fyerool darma https://fyefyefyer.com/Junklord-Hikayat-ACT-III Junklord Hikayat ACT III (Sharmini Aphrodite, fyerool darma, Shif, POFMAMAXX and Manni Wang)&nbsp;Digital film, colour in 4K with sound, 2024, single-channel video (colour, sound), 8 minutes 34 seconds Included as part of Singapore Art Museum, organized by TONEWENTITIES - OS 2_Operating Systems: Knowledge Systems Junklord&nbsp; Hikayat, is an ongoing collaborative work by Sharmini Aphrodite, fyerool darma, Shif, POFMAMAXX, and Manni Wang, it explores the epistemology of fables and their structures, affects, and legacies in a contemporary context. The narrative follows art handler Bintang789, who navigates the complexities of existence in multiple realities, grappling with folklore, memory, and academic speculation. This work is part of the Singapore Art Museum's (SAM) Open Systems 2_Operating Systems platform, which invites audiences to engage with the ideological and technological frameworks that govern digital culture. https://fyefyefyer.com/COREMEMORY-ant-haaa Wed, 22 May 2024 12:42:14 +0000 fyerool darma https://fyefyefyer.com/COREMEMORY-ant-haaa COREMEMORY:&nbsp; https://fyefyefyer.com/l-nd-c-peSs-r-d-t-w-teZz Mon, 25 Mar 2024 04:56:57 +0000 fyerool darma https://fyefyefyer.com/l-nd-c-peSs-r-d-t-w-teZz <img width="2888" height="2659" width_o="2888" height_o="2659" data-src="https://freight.cargo.site/t/original/i/ac1dadc6c51a2cab23a04be8bffa5760d9bdecb89dcb7e69c99593bc054a5fa3/IMG_9952.jpg" data-mid="207499041" border="0" src="https://freight.cargo.site/w/1000/i/ac1dadc6c51a2cab23a04be8bffa5760d9bdecb89dcb7e69c99593bc054a5fa3/IMG_9952.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ab5db387ceff9526ee94c9a37872fce0fe5a9c304304fc5da72ffb1f1bc6896a/IMG_9947.JPG" data-mid="207499052" border="0" src="https://freight.cargo.site/w/1000/i/ab5db387ceff9526ee94c9a37872fce0fe5a9c304304fc5da72ffb1f1bc6896a/IMG_9947.JPG" /> <img width="3024" height="3029" width_o="3024" height_o="3029" data-src="https://freight.cargo.site/t/original/i/3a4ca8a1394da83652be46fa800c1805af6244c01bd39c7ef7bb0ed24c9be706/IMG_9945.jpg" data-mid="207499051" border="0" src="https://freight.cargo.site/w/1000/i/3a4ca8a1394da83652be46fa800c1805af6244c01bd39c7ef7bb0ed24c9be706/IMG_9945.jpg" /> <img width="1478" height="1625" width_o="1478" height_o="1625" data-src="https://freight.cargo.site/t/original/i/ee1e0ac4eaf1d0d95c9821eb72ae1c240f1938e6b3f2ee78862460944071a47f/IMG_9944.jpg" data-mid="207499050" border="0" src="https://freight.cargo.site/w/1000/i/ee1e0ac4eaf1d0d95c9821eb72ae1c240f1938e6b3f2ee78862460944071a47f/IMG_9944.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/aa4031b34e2d85238910e17ba91e07649dbd8eca9a176574af2e278bee1a3e3f/IMG_9827.JPG" data-mid="207499047" border="0" src="https://freight.cargo.site/w/1000/i/aa4031b34e2d85238910e17ba91e07649dbd8eca9a176574af2e278bee1a3e3f/IMG_9827.JPG" /> <img width="2975" height="3280" width_o="2975" height_o="3280" data-src="https://freight.cargo.site/t/original/i/fc4f7646c4683deedc36f43a559678ee71099d35cd6f37b2418ee48cdfede420/IMG_9943.jpg" data-mid="207499048" border="0" src="https://freight.cargo.site/w/1000/i/fc4f7646c4683deedc36f43a559678ee71099d35cd6f37b2418ee48cdfede420/IMG_9943.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/441c60cdb9f2276550e65c07b96f8a6e54ab5d43bdcf32d4b196ccf397eeb1db/fyerool-darma---CHAT--landscapes.jpg" data-mid="207499014" border="0" src="https://freight.cargo.site/w/1000/i/441c60cdb9f2276550e65c07b96f8a6e54ab5d43bdcf32d4b196ccf397eeb1db/fyerool-darma---CHAT--landscapes.jpg" /> <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/56c6b91ef8edb89e71f6a816a3e70ac91df30fae4cc72e7150c56fbb49f93ce8/fyerool-darma---CHAT--landscapes-2.jpg" data-mid="207499013" border="0" src="https://freight.cargo.site/w/1000/i/56c6b91ef8edb89e71f6a816a3e70ac91df30fae4cc72e7150c56fbb49f93ce8/fyerool-darma---CHAT--landscapes-2.jpg" /> <img width="3024" height="3029" width_o="3024" height_o="3029" data-src="https://freight.cargo.site/t/original/i/3a4ca8a1394da83652be46fa800c1805af6244c01bd39c7ef7bb0ed24c9be706/IMG_9945.jpg" data-mid="207499051" border="0" src="https://freight.cargo.site/w/1000/i/3a4ca8a1394da83652be46fa800c1805af6244c01bd39c7ef7bb0ed24c9be706/IMG_9945.jpg" /> l❤nd$c❤peSs r d❤t❤ w❤$teZz featuring Aleezon, jonathan tan, LKS and Lé Luhur from Autaspace 2023 - 2024&nbsp; Polymethyl metacrylate (Plexiglas Tiger), carbon fibre and epoxy resin (NicPro) and printed cotton with synthetic polymer paint (Golden), chameleon carbon fibre polyvinyl chloride and polyacrylate adhesive (Vvivid XPO) on anodized aluminium alloy, honeycomb retroreflective tape (Grip-On), non metalized reflective tape (Steve &amp; Leif) on polyvinyl chloride on wood on polymethl metacrylate Exhibition view courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong, 2024 for&nbsp;CHAT 5th Anniversary – ‘Factory of Tomorrow’ / Closeup view courtesy of Erik Flower for cinotiUHD https://fyefyefyer.com/P4thf-nd3r-A-Pantun-by-Erik-Flower Sun, 01 Oct 2023 19:40:47 +0000 fyerool darma https://fyefyefyer.com/P4thf-nd3r-A-Pantun-by-Erik-Flower P4thf!nd3r: A Pantun by Erik Flower <img width="5971" height="3981" width_o="5971" height_o="3981" data-src="https://freight.cargo.site/t/original/i/f2f9705bcb2599859c3b69e5f413c19d98ecfdb6d86cd713eeaae145dcdfa082/UO_36-1.jpg" data-mid="211354606" border="0" src="https://freight.cargo.site/w/1000/i/f2f9705bcb2599859c3b69e5f413c19d98ecfdb6d86cd713eeaae145dcdfa082/UO_36-1.jpg" /> <img width="2154" height="1432" width_o="2154" height_o="1432" data-src="https://freight.cargo.site/t/original/i/f2aa6964cd57791a548f7a7cfc47d1338f2bfbc6351e91fe1bdf42fcadff406c/fyerool-darma-pathfinder-1.png" data-mid="211336548" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/f2aa6964cd57791a548f7a7cfc47d1338f2bfbc6351e91fe1bdf42fcadff406c/fyerool-darma-pathfinder-1.png" /> <img width="2156" height="1434" width_o="2156" height_o="1434" data-src="https://freight.cargo.site/t/original/i/fb67a3c1ddcd29cc322e41b511ef1015785e4c7bbe3e6803e80fe97578291ef3/fyerool-darma-pathfinder-3.png" data-mid="211336549" border="0" src="https://freight.cargo.site/w/1000/i/fb67a3c1ddcd29cc322e41b511ef1015785e4c7bbe3e6803e80fe97578291ef3/fyerool-darma-pathfinder-3.png" /> <img width="1754" height="1388" width_o="1754" height_o="1388" data-src="https://freight.cargo.site/t/original/i/f7c7479cfe97512f3283b8b60f8889a8c55b6f8a90cce9b79844d6fcd3002949/fyerool-darma-pathfinder-4.png" data-mid="211336550" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/f7c7479cfe97512f3283b8b60f8889a8c55b6f8a90cce9b79844d6fcd3002949/fyerool-darma-pathfinder-4.png" /> <img width="2076" height="1418" width_o="2076" height_o="1418" data-src="https://freight.cargo.site/t/original/i/4359e9f19b0429aeddf4ca6ed09bbf8d8808e6015f9b5af3e214ca70505bdf6e/fyerool-darma-pathfinder-2.png" data-mid="211336551" border="0" src="https://freight.cargo.site/w/1000/i/4359e9f19b0429aeddf4ca6ed09bbf8d8808e6015f9b5af3e214ca70505bdf6e/fyerool-darma-pathfinder-2.png" /> (Above) Installation view with components of installation at MAIIAM Contemporart Art Museum, Chaing Mai, TH. Photographs by Phuping Tankasem. Courtesy of MAIIAM Contemporary Art Museum. Here for a pdf of the manuscript. Sound arranged and designed by berukera with a polyphony of vocals in 2024. Installation view with components of installation at MAIIAM Contemporart Art Museum in Chaing Mai, TH. Photographs by Phuping Tankasem. Courtesy of MAIIAM Contemporary Art Museum.“In this newly commissioned artwork, the artist provides customised, portable seating. One accompanying sound recording was arranged and produced by the artist’s collaborators berukera and gr834$ternl4if using a DAW with the plugin Berlin Techno Kit. Fyerool combines archival research and speculation around a historical figure named Erik Flower, formerly known as Muhamad bin Hadji Abdurahim, who was born in Johor Bahru and resettled in Berlin in 1917, and who Fyerool encountered in a 2021 essay by meLê yamomo [’Acoustic Epistemologies and Early Sound Recordings in the Nusantara Region: Phonography, Archive, and the Birth of Ethnomusicology’] that describes his acoustic and poetic works that were recorded in 1917 and stored in a Berlin sound archive. A second sound recording narrates a seance with Flower. “ Dr. Roger NelsonThe exercise was included in the exhibition The Unfaithful Octopus curated by Dr. Roger Nelson at NTU ADM Gallery, Singapore in 2023 currently at MAIIAM Contemporary Art Museum, Chiang Mai in 2024. Here for a pdf of the manuscript. Sound arranged and designed by berukera with a polyphony of vocals in 2024. <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/898a4b77ce459691006cc177739c226cb385265457f8cec779fd8dce80e48c50/fyerool-darma-pathfinder4.jpg" data-mid="194460557" border="0" src="https://freight.cargo.site/w/1000/i/898a4b77ce459691006cc177739c226cb385265457f8cec779fd8dce80e48c50/fyerool-darma-pathfinder4.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4be87e53436e2e90d89db6bc498a068ea88af515f38c3b368dfe67b7aac948cd/fyerool-darma-pathfinder5.jpg" data-mid="194460560" border="0" src="https://freight.cargo.site/w/1000/i/4be87e53436e2e90d89db6bc498a068ea88af515f38c3b368dfe67b7aac948cd/fyerool-darma-pathfinder5.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/898a4b77ce459691006cc177739c226cb385265457f8cec779fd8dce80e48c50/fyerool-darma-pathfinder4.jpg" data-mid="194460557" border="0" src="https://freight.cargo.site/w/1000/i/898a4b77ce459691006cc177739c226cb385265457f8cec779fd8dce80e48c50/fyerool-darma-pathfinder4.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/7f5333e81d5f5837787dbe45769d2098fb25e388c468a8736ae327259702df11/fyerool-darma-pathfinder2.jpg" data-mid="194460551" border="0" src="https://freight.cargo.site/w/1000/i/7f5333e81d5f5837787dbe45769d2098fb25e388c468a8736ae327259702df11/fyerool-darma-pathfinder2.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/fc369b5b1b5a5d09374471b46e834d67fad1fd42de05b94b305963484e0d59f2/fyerool-darma-pathfinder-1.jpg" data-mid="194460260" border="0" src="https://freight.cargo.site/w/1000/i/fc369b5b1b5a5d09374471b46e834d67fad1fd42de05b94b305963484e0d59f2/fyerool-darma-pathfinder-1.jpg" /> Below, installation view of Pathfinder with Aleezon, Sharmini Aphrodite, berukera featuring Erik Flower, 2023 Shaped plywood, polyvinyl chloride, printed polycotton on reupholstered camping chairs with pigments and coating (Samurai2K), 7mil polyester film, sound&nbsp; https://fyefyefyer.com/UHD-Aznjunglizt Thu, 01 Feb 2024 12:03:38 +0000 fyerool darma https://fyefyefyer.com/UHD-Aznjunglizt <img width="6378" height="2320" width_o="6378" height_o="2320" data-src="https://freight.cargo.site/t/original/i/c7aa5a2aa129bff75e38d15edad6a1bfccdc03f556c0653bacfda1a2c871880d/fyerool-uhdaznjunglizt-copy.jpg" data-mid="203614782" border="0" src="https://freight.cargo.site/w/1000/i/c7aa5a2aa129bff75e38d15edad6a1bfccdc03f556c0653bacfda1a2c871880d/fyerool-uhdaznjunglizt-copy.jpg" /> UHD Aznjunglizt featuring Taufiq Rahman, Nurhayd Naufal and cinotiUHD flex banner, 400 x 900 cm,&nbsp;2022 - 2024 Comissioned by the Lagos Biennale 2024, UHD Aznjunglizt featuring Taufiq Rahman, Nurhayd Naufal and cinotiUHD 2023 engages with the proposed but failed ‘Maphilindo Confederation' (Malaysia, Philippines, Indonesia) of 1963 and was first developed as part of ‘To A Faraway Friend: Afro Southeast Asia Project' at Asean Culture House, Busan, in 2022. Inspiration for the work includes Kitsch-men as Tourist by Ludwig Geisz (1960) and ASEAN 2030: Towards A Borderless Economic Community (2014) by the Asian Development Bank Institute. An inquiry into the extraction of technofossils among other things, the artist calls the work a ‘disadvertisement’; the title breaks down to Ultra High Definition (UHD), Azn (a vernacular spelling for Asian), and Junglizt, which is a play on the word jungle and can also refer to inhabitants of the ‘bush’ in inland areas of Southeast Asia.Included in CAPTCHA as part of refuge: Lagos Biennale 2024 The work is an extension of the artist project&nbsp;The Sporadic Autaspace Report: 1963 Maphilindo Confederation &amp; Its Provisions