Within
ⱥn§ibløm∞,
extracted datas,
collected materials has
synthetically alchemised
into unknown matter.
extracted datas,
collected materials has
synthetically alchemised
into unknown matter.
Sea-level recordings of a plane transmuted into sonar. Their vibrations scattering through particle-fields as if
seeking a language of their own. If these signals are not merely numbers but living fibers—if they can bloom—what other planetary consciousness might unfold
from them? Can we ever understand it?
seeking a language of their own. If these signals are not merely numbers but living fibers—if they can bloom—what other planetary consciousness might unfold
from them? Can we ever understand it?
ⱥn§ibløm∞ with rempit godde$$ and shif
2026
video mapping onto facade of National Gallery Singapore; computer and AI generated images alongside found footages, archives, recorded and composed sounds
sound by rempit godde$$
datamosh alchemised by shif
CGI and motion support by cinotiUHD
Commissioned by National Gallery Singapore for Night to Light Singapore 2026
2026
video mapping onto facade of National Gallery Singapore; computer and AI generated images alongside found footages, archives, recorded and composed sounds
sound by rempit godde$$
datamosh alchemised by shif
CGI and motion support by cinotiUHD
Commissioned by National Gallery Singapore for Night to Light Singapore 2026
ⱥn§ibløm∞ is a four-minute projection performance that drapes a colonial facad in glitch, pattern, and neon, dragging past, present, and digital excess into a single, luminous moment.
The work interrogates the visual and sonic paradox of digital resistance: every act of aesthetic disruption relies on extractive infrastructures—servers, projectors, energy systems—built through historical and environmental exploitation.
The performance projects the unstable and entanglements between the material conditions of contemporary civilization. Beauty, critique, and complicity coexist in this fleeting temporal collapse, inviting reflection on the fragility of systems and the
ethics of intervention.
The work interrogates the visual and sonic paradox of digital resistance: every act of aesthetic disruption relies on extractive infrastructures—servers, projectors, energy systems—built through historical and environmental exploitation.
The performance projects the unstable and entanglements between the material conditions of contemporary civilization. Beauty, critique, and complicity coexist in this fleeting temporal collapse, inviting reflection on the fragility of systems and the
ethics of intervention.